Last weekend I handed a copy of The Red Sea Sharks to a cashier at Waterstone’s in Guildford. She went ‘Ah wow, Tintin!’ and immediately asked my son if he knew who their mezzanine statue of the bearded sailor was.
Well, he’s four, so he didn’t have a clue, but I of course mumbled that it was Captain Haddock. How would she know I’d spent a few days ploughing through my recently rediscovered collection of Tintin books – and found this one missing?
It got me thinking just how much Herge (Georges Remi, the Belgian creator of Tintin) had influenced The Secret of the Tirthas. I remember the excitement of getting up before everyone and rushing downstairs to read The Cigars of the Pharoah in the early morning light. I loved the rich variety of the story settings, the good humour and painstaking attention to detail. Trekking and yetis in Tintin in Tibet. Dying of thirst in the desert in The Crab with the Golden Claws. Being chased by an ape in a Scottish castle in The Black Island. Marooned on a raft in The Red Sea Sharks.
When I started working out The Secret of the Tirthas I was thinking about how the world itself can be as awe-inspiring as any fantasy creation, especially when new places are seen for the first time. What better way to explore this than to have a multitude of exotic locations accessible from your back garden?
The Cigars of the Pharoah remains my favourite Tintin book, set mainly in Egypt and India. I read it at something like eight years old and found it exciting and very, very funny, especially the character of Sophocles Sarcophagus. And the first two countries, alongside Nepal, that I went to on my own steam were Egypt and India, so I’m sure Herge’s influence runs deep.
Aswan, Egypt, a long time ago
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