In The Secret of the Tirthas, the demons and their followers are desperately seeking to capture the Artefacts of Power. These magical items have gained their power from the devotion of worshippers over the centuries.
Each Artefact in the story is based on a real life sacred object, from a different religious tradition. Here’s a list of them, with the culture or religion they came from:
Nkisi statue – a wooden figure from African shamanistic religion. People drove iron nails in to release the power of the ancestor spirit residing in it.
Hilili Kachina – a raindance doll with a snake hanging out of his mouth, from Native American culture.
The Holy Grail – a chalice containing the blood of Christ from the Last Supper, much pursued by medieval knights.
The Damsel of the Sanct Grael, Rossetti
Easter Island statue(maoi) – over 1,000 of these mysterious statues were constructed by the inhabitants of a remote island in the Pacific Ocean. All the statues look inland, away from the sea. It is thought they represented ancestors, guarding over the islanders.
Easter Island sculptures from the original Garden of Rooms in Herefordshire
Venus– the statue is based on the famous Venus of Hohle Fels, found in Germany and believed to be 40,000 years old. She was carved from mammoth tusk.
Venus of Hohle Fels (Image: Thilo Parg / Wikimedia Commons License: CC BY-SA 3.0)
Green Man – a figure from Western paganism, symbolising the regenerative, mysterious powers of Nature.
Green Man from a Herefordshire church
Other Artefacts in The Secret of the Tirthas:
Yingarna– a goddess of creation, who carried children from different Aboriginal tribes in her many bags.
Shiva Lingam – a holy symbol of Lord Shiva, the Hindu god of destruction, carved from stone.
Buddha’s Tooth – there are several teeth relics of the Buddha, including a very famous one in Sri Lanka.
When I started The Secret of the Tirthas, Venice was high on the list of possible portals for Lizzie’s garden. However, it wasn’t until the fifth book, The Unknown Realms, that I finally found the right storyline for it.
I was lucky enough to spend a long weekend in Venice a few years ago, when a friend got married there. My wife had visited before so she knew some interesting spots – and cut throughs – that were less crowded.
Venice has a special hold on the imagination of many people in Europe. Obviously the main reason for this is its sheer, phenomenal beauty – its gondolier-strewn canals, its baroque bridges and buildings, its beautiful squares and churches. But it also resonates because of the subtle, bohemain air of dilapidation. Once the greatest port and trading post on the Mediterranean, it is now, as a lived-in city, dying. Its native population has declined by well over 50% in the last 100 years.
For these reasons, it made the perfect setting for the doom-laden chase involving Lizzie, the demon Pisaca, and the bean-nighe, or banshee. And for the miraculous, out-of-this-world experience that Lizzie has shortly afterwards, in the boat of the mysterious gondolier.
One of the best moments in any writer’s life is the arrival of the proof. Seeing over a year’s worth of hard work all neatly captured between that (hopefully!) stunning cover and on those cream pages is indescribable!
Not long now until it’s out. And just a reminder that the ebook is available to pre-order now at all major e-retailers.
The Unknown Realms is the fifth and final volume in The Secret of the Tirthas. In it, Lizzie faces her most perilous challenges yet as she seeks to stop the demons and their followers from corrupting the power of the tirthas for their own treacherous ends. And worst of all, she must face them alone, as she has lost all hope of reuniting with her friends.
Here’s a short excerpt from the second chapter, The Cannaregio Shrine:
Alessandro’s grandfather, Nazario, told him that the shrine of the Madonna in Cannaregio was the oldest in Venice. When Nazario suffered a stroke that left him bedbound and dumb, Alessandro used his pocket money to buy a tealight each day from Severina’s shop which he would take to the shrine in the wall, light with a match, and pop through the grill. He could just reach through to the bottom ledge if he stood on tiptoes. He would say a prayer to the ivy-shrouded statue of Our Lady, wishing his beloved grandfather would return speedily to good health, so they could laugh again and enjoy a sweet zaleti together in the morning sunshine.
Today, as he was coming down the canal-side street to the corner where the steps led up to the shrine, Alessandro was thinking about his cat, Tito. He was wondering why Tito never ate all of his food, even when it was fish, when he heard an unusual creaking sound ahead. It was followed by a dull thud, and then a cough, a human cough, echoing through the twilit street. He was sure someone must be up by the shrine, perhaps a straggling tourist.
Alessandro cried out in surprise as he turned the corner and came face to face with the person who must have made the noise.
‘Madonna!’ he gasped, seeing the bedraggled, greasy hair, the bony, wrinkled forehead, and above all the large, desolate eyes, eyes full of a sorrow that would haunt him for the rest of his life. ‘Chi sei?’ was all he could think to say, who are you? Although at the same time he was thinking what are you might make more sense.
The awful crone didn’t reply. After holding his gaze for a moment and filling him with a wretched chill that he felt right down to his heels, she barged past him, clutching something tightly against her side. She hurried off in between the tall buildings, alongside the still, green-dark canal.
Alessandro stood still, feeling sad, in need of his mother, in need of God, but most of all just confused. After a moment, he realised the sharp edge of metal that his thumb was flicking in his pocket was today’s tealight. Before running back home, he would at least light that, to remember his grandfather’s health, and the hope and mystery of the Madonna.
He turned the corner and began to climb the small, white-washed steps to the shrine, which was set a couple of metres up in the wall and covered in a fine ivy that was turning red with the autumn.
Then he stopped again, and watched something happen that simply did not make sense.
Dropping from the shrine, from its opened grate, was a person – a girl with a pony tail, older than him – with the Madonna statue clutched in one hand. No sooner had the girl landed on the pavement than she was followed by another, much larger, figure – a woman, no, a man, thought Alessandro, and then he thought, no, un mostro, a monster!
The second figure was huge, only just able to squeeze out through the small opening in the wall, clad in black, with the most terrible features, a giant, reddish face, teeth like a bear’s, a brutal, snubby snout, and thick dark hair.
‘Diavolo!’ gasped Alessandro, as the creature straightened and placed a hand on the shoulder of the girl, who was looking down the steps at him with a clear, steadfast gaze.
And then his eight-year-old imagination kicked in, a clear connection was made, and he realised what he must be seeing. A woman wearing a mask, of course! But then he thought: why, when it wasn’t carnival season?
The girl said something to him then. She spoke in a language he didn’t understand, but her eyes were kind and her voice reassuring, so he felt the fear in him subside. Then she looked up at her strange companion and said something to her. The masked woman replied, in an urgent voice that sounded to Alessandro like Darth Vader from Star Wars. Was something wrong with her? he wondered. The woman stepped aside and, standing on tiptoes, the girl quickly replaced the statue of Mary in the shrine and pushed the protective grill back into place.
Next moment, the woman with the demonic mask was striding down the steps towards Alessandro, pulling the girl along behind her.
‘Togliti di mezzo!’ the woman said to him, and he stepped sideways to pin himself to the wall as they came past, clearly in a hurry.
There were many things Alessandro would never forget from that night – the crone, the foul, factory-like smell of the devil-masked woman, the deathly, unbearable wail that shook Venice a short while later and made everyone think their decadent city had finally reached the End of Days.
But the one thing he would remember above all were the eyes of the girl as she came past him on the steps.
The eyes of a girl who understood more than any other girl. A gaze that held so much, and that made him think one day, years later when he was an apprentice glass maker in Murano, that this must be what the gaze of a saint would be like.
A gaze full of compassion and understanding.
And trapped by Fate.
The city that Lizzie discovers through the portal in her garden in the first book of The Secret of the Tirthas is based on a real city in India.
Kashi is one of the oldest cities in the world. Some estimates put it at up to 2,000 years old! It has had several names, including Benares, also spelt Banaras, but it is most commonly known as Varanasi. The meaning of Kashi is the ‘City of Light’. It’s the holiest city of Shiva, the Hindu god responsible for destruction. But Shiva destroys things with a purpose, to ensure there’s space in the world for creation and new life.
Kashi has hundreds of temples and stone steps (‘ghats‘) on its waterfront, leading down into the sacred River Ganges. Hindus believe that pilgrims who die in Kashi are enlightened and achieve instant moksha – that is, escape from the endless cycle of life and birth. Many are cremated at the famous Manikarnika ghat, and their ashes are thrown into the swirling river.
The Ganges flowing down from Shiva’s hair
Hindus also believe that Kashi is the centre of all ‘tirthas‘ – sacred crossing places – where the gods come down on to earth and where pilgrims can be transported instantaneously from one holy shrine to another. Now there’s an idea…
Kashi was the first place I visited on a three-month trip to India when I was in my twenties. I remember my first morning, taking a boat out to watch how the early morning sun made the honey-coloured ghats glow. It felt like I’d entered the landscape of a fantasy novel. I realised that there is little need to create imaginary worlds. You just have to visit places and cultures you’ve never been to before.
For more photos and extracts from my journal about the day I arrived in Kashi click here.
It’s not every day you get a cake made of your book…
Thank you so much to the readers of St Paul’s school Year 6 book club for their enthusiasm and fantastic questions yesterday. It was great to talk to them about the inspiration for my books, from a Herefordshire garden, to trips to India, Africa and Disneyland.
And particular thanks to the two members who baked cakes, including this one inspired by the The City of Light!
In 2007, my wife took a volunteer position with a charity in Kampala in Uganda. When the post finished, I joined her for a fortnight. We hired a driver and went around the country, seeing some impressive landscapes and wildlife. We saw tree-climbing lions, a huge spider in our bedroom (which next day our driver told us we should not have left alone – ‘very dangerous’), a cobra, crocodiles, chimpanzees, elephants, gorillas and hippos. I drew on much of this experience for The Dreamer Falls, and wrote some short poems along the way. Here are the poems, with photos that inspired them.
Skin blackened and slackened by age
tusks long gone
he is outcast on a lonely spit
surrounded by white grebe –
and deathly marabou stork
and lazy river heat
lift our traps as we dream
in the certainty of a shape
that lasts forever
Orange and brown
untested like young aristos
we rub our [slightly-shorter] necks
on acacia bark and
against each others –
The golden year-ringed horn I’ve lost
though we’re slight
we too can fight –
from the top of the river
eyes deep, in ridges of pink –
there is a mountain under here
Swishing its tail
to keep the flies off its rump
the eyes saying
please don’t fill me up again
One I didn’t get a photo for, it was too fast:
Sometimes you will see one crossing the track
and see one we did
a black line drawn by God
and a hunger for rats
And finally, one about the beautiful national bird of Uganda:
Great Crested Crane
Red, yellow, black
I am the Ugandan colour bird
and I call out for life
in the golden straw
of her savannah
Ugandan Bestiary features in my poetry collection, Up in the Air, available here:
Let me start by saying it’s not for the sales – although of course they are welcome! I write simply because I enjoy it. I’ve always written, starting with my own New Avengers and James Bond stories when I was eight, and later on casting my school friends as the heroes and villains of action stories and westerns. It was fun – and gratifying – to see them being passed round class.
After focusing on poetry in my twenties and thirties, I am back to writing adventure stories with The Secret of the Tirthas. I enjoy creating stories full of suspense, mystery and intrigue – and it’s always fantastic to get feedback from readers. Obviously, sales are a good, hard measure of how appealing your book is. But reviews, particularly on Amazon and Goodreads, and increasingly direct, face-to-face feedback from readers are both huge reward and encouragement. I was over the moon when The Guardian newspaper published a positive review of The City of Light by a 14 year-old-reader. And I have been similarly bowled over reading reviews by book bloggers such as Handsfull Mama in America and The Whimsy Bookworm in India.
But of all the direct feedback I’ve had, perhaps the most rewarding to date came yesterday, when an 80 year old lady came with her husband into Barton’s Bookshop, where I was doing a book signing event. This lovely lady had been given my first two books as gifts by her daughter, whom I met two years running at Pippfest in Dorking. I was delighted when she introduced herself with the words ‘I’m a fan of yours’ and we proceeded to have a long conversation about the inspiration for the books, including the real garden of rooms, my trips to India, and the Herefordshire countryside, which she and her husband knew well.
So, if you’ve read one of my books please write a review. And, if you meet me face to face, tell me what you liked (or didn’t) about the story. It means a lot to me.