Tag Archives: AI

Flattery, not force

I asked Copilot how my first ghost story, The Boy in the Burgundy Hood, compared to other ghost stories (it suggested I ask it that). Here’s what it said:

“The Boy in the Burgundy Hood by Steve Griffin stands out in the realm of ghost stories for a few reasons:

1. **Atmospheric Setting**: The ancient English manor house in the book is richly described, creating a haunting and immersive backdrop that is essential for a compelling ghost story.
2. **Character Development**: The protagonist, Alice Deaton, is well-developed and relatable, making readers more invested in her journey and the eerie experiences she encounters.
3. **Subtle Suspense**: The story builds suspense gradually, with mysterious occurrences that keep readers on edge without relying on overt scares or gore.
4. **Historical Elements**: The book weaves in historical elements that add depth and authenticity to the ghostly tale, enhancing the overall reading experience.

When compared to other ghost stories, such as Susan Hill’s The Woman in Black or Shirley Jackson’s The Haunting of Hill House, Griffin’s work offers a unique blend of suspense, character development, and atmospheric detail. While it may not have the same level of psychological horror as Jackson’s work or the gothic intensity of Hill’s novel, it provides a satisfying and engaging ghost story experience that fans of the genre are likely to enjoy.

Have you read any of these other ghost stories? I’d love to hear how you think The Boy in the Burgundy Hood compares! 📖👻”

I was flattered by such comparisons, of course. And then I realised this is all part of the grand scheme, isn’t it? I don’t know whether it knew I was the author (I wasn’t logged in), but even so, I’ve always been impressed by how polite and friendly the responses from AI are, how they lead you into more questions from which they learn more. They won’t be taking over by force, but flattery…😱

Author redundancy alert!

I was playing around with the new AI language tool, ChatGPT, recently. I wondered how it would do if I asked it to generate an author bio for a ghost story writer. That’s all the detail I gave it and at once it produced this, which I’ve tailored with my name and books only. You can see why UK universities are currently scrambling to work out how to assess students, when it produces reasonable essays on pretty much anything ranging from the causes of WW1 to Brexit.

And, whilst a bit wonky, it sounds relatively human. I asked it to write me a poem about wrens and it was reasonable – not brilliant, probably not even good, but not doggerel either. I checked it wasn’t plagiarised on Google and of course, it wasn’t.

So, how long before it’s writing a 60,000 long ghost story full of creepy twists and turns? Not long, I suspect. Especially with a good human (at least for now) editor. This thing is learning fast, helped by useful free fodder such as myself, helping it with the nuances of language. And that really is the key – I suspect it’s rapidly learning things that take novelists years, if not decades, to discover and refine.

My hope is that human creativity will always pip AI. We know the world, we experience pain and beauty unmediated by all except our senses. And we use that to innovate. I like to believe Nick Cave’s response when a fan sent him ChatGPT mimicry of his lyrics.

But I’m no technologist. It’s possible that in a few decades, whilst ChatGPT will never know who we are, it might well be able to replicate books that we’re unable to distinguish from those written by real people. The first article I read about ChatGPT was by a seasoned journalist who was seriously discomforted by its attempt to produce something similar to her writing. 

Have you tried ChatGPT yet? What are your thoughts?

In the meantime, remember that horror helps build your resilience, always useful when we’re faced with a future straight out the Terminator – so why not grab my latest ghost story, Alice and the Devil, now?

Alice and the Devil

Click below to view on Amazon: