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Jocelyn Merivale – a tribute to an inspiring artist

“It’s not just that Jocelyn was contrary, she loved a fight, and was a good sparring partner. It’s that she seemed to me the opposite of just about anybody else I ever met.” – John Merivale’s Eulogy for Jocelyn, 23 September 2014

I can’t tell you how stunned I was to receive this piece of treasure in the post the other day:

Jocelyn Merivale, as regular readers of this blog may know, was a painter and friend, whose fabulous work inspired some of my poems in Up in the Air.

I got to know Jocelyn through her husband, John, with whom I worked for several years in Wimbledon and Morden. She died in 2014, tragically young, but carried on working right up until the end.

John set about producing a book to collect all of the paintings, sketches, and sculptures produced by his lifelong partner. He worked with Matthew Hollow, an art photographer, Martin Holman, an art historian, and Brother, a brand design agency. It was a true labour of love, much of it carried out during the enforced solitude of the coronavirus lockdown.

And look at the result:

Garden at Night, Jocelyn Merivale artist

I had been so looking forward to seeing this book. And the icing on the cake was the use of several of my poems, produced after I visited an Open House exhibition of Jocelyn’s work in Merton.

Scroll down to see my poems and the paintings they relate to, as well as the painting Jocelyn did for my wife and me on our wedding day. (Click on the images of the poems to read them more easily).

Every Bird is Singing, Steve Griffin poem

Green Ghost Girl at No. 9, Steve Griffin poem

And here’s the beautiful painting that Jocelyn produced for our wedding:

For Steve and Anna, Jocelyn Merivale artist

To buy a copy of the Jocelyn Merivale book (£45 plus P&P) please contact John Merivale: merivale@btinternet.com

To purchase a copy of my poetry book Up in the Air, click below:

Image: Paintings and Poetry in Up in the Air

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Up in the Air poetry book

My new poetry book, Up in the Air, is divided into five sections – Air, Love, Water, Air (again) and Image.

The Image section consists of eight poems inspired by paintings, photographs, a display, a poster and a line drawing. In this post I’ll identify some of these pictures and talk about how they inspired my poems.

First off, the paintings.

The section begins with On Justice, inspired by the painting of Margareta van Eyck by her husband Jan van Eyck. The painting hangs in the Groeninge Museum in Bruges. When I saw it, I was mesmerised by the character in the woman’s face. I could see her intelligence and what I thought was a hint of sharpness, possibly even bitterness. My poem (check it out here if you don’t have the book) wanted to capture that, as well as meditate on the failure of even the greatest art to transcend mortality.

Image: Margareta van Eyck Portrait

The next poem, Self-Portrait, is based on one of Van Gogh’s paintings. There’s a lot going on here, as you can see, plenty of light, colour, chaos and energy. This painting is a gift to anyone’s imagination, so I just let mine run riot.

Exhibition, Merton is a long poem based on the paintings of the artist Jocelyn Merivale. I used to work with her husband, John, and so had the pleasure of studying her paintings in their home. Jocelyn’s main theme was water and especially the sea – but she also painted birds and portraits. Jocelyn died a few years ago and her website is currently down whilst her paintings are being professionally photographed, but below is a close up of Field of Birds. You can see more of her paintings here.

Image: Field of Birds, Jocelyn Merivale

The other poem based on a painting is Looking at it Now. Paolo Uccello’s Saint George and the Dragon in the National Gallery is a masterpiece. But, as with the poem that follows it, Beast (based on a gallery drawing), I wanted to re-imagine the relationship between man, woman, and ‘monster’, to reflect more modern sensibilities.

Image: St George and the Dragon

The Ogrw-Garw Display was an exhibition about one of the valleys in South Wales, created by a friend. The exhibition comprised beautiful photographs of the ancient oak woodland scattered across the mine-scarred landscape. But in the middle of the display was a single black-and-white photo of… a group of school children.

I wrote Ugandan Bestiary after a safari holiday with my wife in 2007. Back home, I studied the photos of the trip, mulling over the animals we’d had the good fortune to see. In doing so, I came up with this series of short, vignette-style poems.

Image: Ugandan Bestiary

Finally, Christ in the Crowd was randomly inspired by this poster for Jesus Christ Superstar. As they say, inspiration comes from anywhere and everywhere.

Buy Up in the Air here:

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